28 Days Later

 This was another of those films where I really didn’t know what I’d bought, except it had Chris in it. Unlike some of his repertoire, though, I felt at home in this one. The whole sci-fi/post-apocalyptic thing was familiar territory - shades of Tripods, Triffids and Survivors.

So I didn’t feel seriously icked by this one (as I did by much of ‘Shallow Grave’). Viewers of a nervous disposition might want to look away during one fight at the end, though. Mind, I think I’d have liked a warning that Chris appears in uniform. Now all I need is to find a film with him in a cassock!

The story is a simple one: a nasty and highly contagious disease wipes out almost all the population. I confess it took some suspension of disbelief that any disease transmitted by touch can have an incubation period of seconds, yet become inert immediately upon death. Aside from that, though, this story has considerable inner consistency.

Many people have struggled with the aspect of the soldiers demanding women. While the plot doesn’t emphasise this, it’s quite clear from Major West’s little speech that this is about rebuilding the human population, not just that his men are ‘hungry’. UK soldiers are well used to going without for long periods during posting overseas: they blow their brains out at the thought that they are the last of the human race. Again, one is tempted to ask whether it would be possible to repopulate with only one barely child-bearing age girl and an underweight adult. Mind, plump women with child-bearing hips don’t get offered parts in films.

For all that he’s not the lead male, the story actually hangs on the character of the Major, who is just nicely insane. He perfectly represents the closed in military mind. He has decided that they are the only ones left, and refuses to consider any other possibility. Given that total close-down, his actions are completely consistent, even if they seem sadistic, calculating and unpleasant. His ’xenophobia’ of all things ‘outside’, driven by a fear of infection, is gently underplayed. And his adherence to protocol is so perfect - in the midst of the carnage, his men still sit down for a formal candlelit meal in dress uniform. Which of course gives us some truly gorgeous images of Chris to go with his lovely Received Pronunciation (which is flawless in this film).

At the end we still see the conventional Military man: furious at the threat to his men, staying with them while they die. And accepting his own death stoically. He represents the best and worst of an officer and a gentleman: closed minded, protocol driven, yet ultimately driven by good motives and protective of the men under his command. Typical of the sort of complex character Chris chooses.

 

Now the screencaps: Click on the thumbnails for full size.

 

Uniform…

…And Ginger hair…

… and a military pose! Grrrrr!

 

Deep in thought

 

Just a touch of sadism

 

 

 

 

Dinner by candlelight anyone?

 

Yeuch!

Should have had the pasta instead!

 

 

Such a sweet little smile!

 

Get the idea I liked this scene?

It's that uniform that does it

 

I can think of so many love songs…

…involving Rain!

 

I can't help feeling Chris enjoyed this

A boy's chance to play with guns!

 

Cursing cos the cables are cut

Daft beggar! You can't DRIVE anyway!

Another ohhh! Moment

 

The perfect officer

Grieving for his men

And with them to the end

 

 

 

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